“out of sight” fucking rules. indie rock and roll with loud guitars and loud drums, WHERE YOU AT? cause where i stand is only three miles from space. (where i’m at)
lalalalelop lalalalelop lalalalelop lalalalelop fuck. synth synth synth synth fuck. duke dumont’s remix of “the fear”, lily allen’s lead single of her sophomore record “it’s not me, it’s you”, owns the original mix of the song. goodbye!
“night lights” is the sort of record that cuts through you. it cuts at the superfluities, the trivialities, the bullshit that envelop everyday life. recorded in 1963, during the ascension of bossa nova into the american/european musical palette, “night lights” marries the airiness and tones of cool jazz with the feel of latin rhythm and syncopation.
not necessarily “melancholy” or “somber” or “quiet” (i mean it could be each of these things), this record just feels – it breathes, it washes over you. “night lights” opens quietly on the mulligan-penned title track with jim hall’s soft tremolo guitar floating in and out the taps of dave bailey’s hushed drums. “morning of the carnival from black orpheus” introudces the bossa nova meter. “prelude in e minor” integrates a chopin chamber melody on top that bossa meter. mulligan’s subtle baritone shines on “tell me when”.
the depth/beauty/intensity of the playing on “night lights” is remarkable. i find myself constantly coming back to this record – and, without exception, am further enriched as a musician/human being after each listening.
on the real, if i read another comparison of bat for lashes’ new single “daniel” to kate bush (i don’t care!)…..or some variation of this phrase “Bat For Lashes aka (also known as) Natasha Khan” (looked up on wikipedia). the beat on this song kills. the dynamic of the kick/snare 1-2 reeling khan’s melody in-out-in-out.
the video for “all the above” defies a common rap stereotype, if the rapper’s previous hit single is played in the background of a clip’s start, the new single is likely wack as fuck. psych! not “all the above”. just what makes “all the above” a total banger? just blaze? faheem rasheed najm? maino?….. “all the above”!
100 years old! “dull life” rules. everything that made the last two franz records boring/unlistenable, this song is not.
zinner’s guitar work is on the fuckin’ money! at 1:18, the song goes half-time. what?? where did that come from? who cares!
from there, karen o just takes over. see ya!